In a yoga asana practice, vinyasa often connotes the linking of poses in a flow. Sun salutations are a perfect example of vinyasa, though sequences can and do vary.

A few weeks ago, my energy stagnated and I was compelled to integrate dynamic movement into my practice as a means of shifting it. Often, in Iyengar yoga, each pose is worked independently. Focus on certain elements of the pose are offered as a means to work dynamically within a posture. I love this work and it is why I’m drawn to Iyengar yoga -- all the delicious details! That said --  sometimes I just need to move.

So here are two variations of a simple vinyasa that lengthens and tones the spine, opens the hips and engages the core. The chair variation is for anyone suffering from arthritis, tight shoulders and even exceptionally tight hamstrings. This cycle can be done in five or ten minutes and is perfect for those who never seem to have enough time!
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Downward Dog: chair variation
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Downward Dog: Floor Variation

Downward Dog

In the chair:

Grip the sides of the chair with your hands. Step the feet back away from the chair, lift the buttocks up toward the ceiling. Widen your shoulder blades away from the spine by wrapping the back-armpit area toward your chest. Lengthen both sides of your body away from the chair. Pull your kneecaps up toward the tops of your thighs and send your thighbones back.

Explore the lift of the sitting bones here. If you take your heels to the floor, do the sits-bones/buttocks drop toward the floor? If they do, bend your knees and lift them again. Stay on the balls of your feet to engage the thigh muscles. Then lower your heels as much as you can without losing that lift.


On the floor:

Start on the hands and knees. Place your hands one hand-length in front of your shoulders. Tuck your toes, press into your hands and lift the buttocks up toward the ceiling. Widen your shoulder blades away from the spine by wrapping the back-armpit area toward your chest. Lengthen both sides of your body away from the chair. Pull your kneecaps up toward the tops of your thighs and send your thighbones back.


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One-legged Downward Dog: Chair Variation
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One-legged Downward Dog: Floor Variation
Dog with Lifted Leg

For both chair and floor:

Keep the weight even over the palms of both hands. Lengthen through the sides of your body and lift your right leg up, stretching the heel back toward the space behind you. Notice your pelvis. Has it tipped? Keep both pelvic rims facing the floor by rolling the inner right thigh toward the ceiling. Notice your hands. Is the weight evenly distributed over your palms? Or are you tipping to one side? Keep the back armpit chest moving toward the legs. Lengthen.
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modified plank with engaged core
Modified Plank with Engaged Core

For both chair and floor:

From the lifted leg position, bend your right knee into your chest and start to move so that your shoulders come over-top your wrists. Holding this position, push away from the chair with the arms and keep the shoulder-blades moving toward your waist. Draw the knee closer into the body and you should feel the abdominal muscles engage. Keep the straight leg firm.

You can repeat this action several times. Reaching the leg back into Dog with Lifted Leg and into Modified Plank. Or you can just do it once on the way to your lunge. You decide what you need today.
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modified plank: floor variation
Lunge

For chair:

In the chair position, it is easier to step the front foot forward. After you’ve pulled the knee into the chest, set the right foot between the legs of the chair. Descend the buttocks toward the floor and draw the right hip back away from the chair to keep both sides of the waist long.

Roll the shoulders away from the ears and lengthen the breastbone toward the chair-back. Stretch through the left heel, pull that left kneecap up. Observe the back leg, roll the inner thigh up toward the ceiling to keep the sacrum broad and the hips level.
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Lunge with Chair
For the floor:

The step forward into lunge can be tricky on the floor. You may want to stretch back into one-legged dog so that you can use the momentum to swing the leg right through. Once the knee is drawn into the chest, place the foot between the hands. If it doesn’t make it all the way, drop the back knee onto the floor, take hold of your right ankle and lift the foot to the space between your hands.

With the foot forward, descend the buttocks toward the floor to bring the right thigh parallel to the floor. Move the right outer hip away from the knee. Roll the shoulder-blades down the back and lengthen the front of the body toward the space in front of you. Stretch through the left heel, pulling that left kneecap up. Observe the back leg, roll the inner thigh up toward the ceiling to keep the sacrum broad and the hips level.

For both variations:

Hold for two or three or four breaths, then step back into downward dog.
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Lunge on the floor
Lather, Rinse, Repeat

After you’ve stepped back into your variation of downward dog, repeat the sequence with the left leg. Then back to the right. And on and on until you feel successfully moved!
 
 
Core stability is inherent to the practice of yoga asana. Though we don't work explicitly on strengthening deep core muscles, the use and support of them are integral to most yoga poses. The core helps us centralize our movements allowing them to be stronger and more stable.

Oftentimes we mistake hard abs for core strength, but in yoga we want to cultivate a deeper understanding and connection to our own core.

Adductors

The adductors are the muscles of the inner thighs. Often addressed in the instruction of asanas, the inner thighs are required to inwardly or outwardly rotate, depending on the pose. Also, they can be pulled up toward the inner groins to assist the deepening of the groins into the body. Adduction moves the legs toward the mid-line of the body; connecting with the adductors helps us draw the action of the asanas into the body's core. When you walk, you may turn your feet out or feel like your moving in different directions. If you bring your awareness to your inner thighs, have the sense of them moving toward the space behind you, your gait feels more centred.



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One way to explore this is by lying on your back with the knees bent. Place a block between the inner thighs and guide them in toward the block. Don't squeeze the life out of the block. Although we want to tone the inner thighs we don't want them to get 'grippy'. Now place your fingers an inch in from the pelvic rims. Do you notice a toning of the lower abdomen? The transversus abdominus are deep abdominal muscles that connect the pelvis to the ribs and help with pelvic stability.

If you don't feel the connection, don't worry about it. Just know that by toning the adductors you are connecting to your core, including the stabilizing transversus abdominus, whether you feel it yet or not.



Supta ardha pavanmuktasana

Connecting to this 'core line' is helpful in a variety of poses. Supta ardha pavanamuktasana is an easy way to make the connection to this core line.


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Lie on your back in supta tadasana (a reclined mountain pose). Even with both legs extended imagine you've got the block between the thighs. Keep your kneecaps lifting, your buttocks moving toward your heels. Now pull your right knee in toward your chest and hold the chin or back of the thigh. Do you feel how the inner thighs want to splay away from each other? Now imagine the block and travel along the core line as though both inner thighs had a block to press in to. Notice how working that way keeps you more centred and connected to your core. Do this with the left leg.

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Do the above actions again with the right leg. Stretch tremendously through the left leg. Pull the left kneecap up and anchor the left thighbone down. Keep connected with both inner thighs. Gather them toward the imaginary block. Then widen your elbows and lift your shoulder blades off the floor as though you wanted to take your heart centre to the ceiling. (If you feel strain in your neck, leave the head on the floor and almost lift off and your abdominals should still engage). Hold for one breath, then lower. Change sides. Repeat three to six times.

Urdhva prasarita padasana

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You can also connect with your core in variations of urdhva prasarita padasana. Start with your buttocks several inches away from the wall, so that if you were to put your heels on the wall the legs would be at about sixty degrees. Now draw your knees into your chest and lengthen the buttocks toward the wall.




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Take your legs up to ninety degrees. Imagine the block between the inner thighs, gather the legs into the core line. Maintain this connection as you lower your right heel to the wall. When you take the right leg back to join the left make sure the back ribs touch the floor, that the low back does not take the brunt of the work. If you feel it in the back, bend the knees and bring the legs into the body.

Also, feel your abdomen. Is it bulging? Can you keep it wide as you draw the leg up? If not, move a little closer to the wall.

Do the other side.

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If working one leg at a time is easy, try lowering both heels to the wall simultaneously. Keep your arms stretched overhead and your back ribs down. Breathe. Again, notice if the work moves into the back at all.


Repeat several times. Each time the heels come to the wall, let the touch be light. Also, connect to your core line. Imagine the block between the thighs and act as though the two legs were one.

When you are finished spend some time relaxing the abdomen. Though we want strength in our abdominal muscles we also want to maintain a softness too. Otherwise, our breathing can become restricted and our abdominal organs constricted. Lying on the back with knees bent and hands on the belly offers you a connection to this softening. Feel how the belly moves with the breath. Widened out on inhalation. Relaxed down on exhalation.